
There is a particular pleasure in a collection of tiny ceramic animals — a hand-painted hedgehog no bigger than a thumb, a family of mice, a miniature dachshund with a chipped ear that you have loved for twenty years. The trouble is that small figurines multiply quietly. What began as three pieces on a windowsill becomes forty, and before long the shelf looks less like a display and more like a jumble sale. The answer is not to box them away in the loft, but to give each piece a proper home: shadow boxes for the favourites, tiered stands for the middles, and labelled drawers for the rest.
A shadow box is simply a shallow display case with a glass front, usually 4–8cm deep, and it is the single best way to show off a delicate figurine without exposing it to dust. Look for ones with a removable backing board and a hinged or sliding front, so you can rearrange the contents without wrestling with the whole frame.
Mounting is the part that trips people up. Avoid sticky pads and hot glue, which can stain glaze or pull off a leg. Instead, use:
Group two or three small animals together rather than one lonely piece. A box with a rabbit, a fox and a badger arranged on a scrap of moss or a painted backdrop tells a story and fills the space nicely.
Shelves are horizontal real estate, and most of us run out of it. Tiered stands solve the problem by stacking display space vertically, so a single 30cm stretch of shelf can hold nine or ten small figurines instead of three.
Wooden or acrylic risers in sets of two or three steps work well. Choose ones with a lipped edge, which stops a round-bottomed animal from rolling off when you dust nearby. For a more bespoke look, a set of clear acrylic steps almost disappears, letting the animals do the talking, while painted MDF steps in a soft grey or sage green can match a room's scheme.
If you have a deep alcove or a chimney breast shelf, a corner stand makes excellent use of the awkward angle that flat shelves cannot reach.
Not every piece can be on show at once, and that is fine. A shallow set of drawers — the kind sold for craft storage or old-fashioned card catalogues — is ideal for the overflow, protecting pieces from dust and knocks while keeping them accessible.
Line each drawer with a piece of felt or acid-free tissue, then divide it with small boxes or foam inserts so animals do not clatter together when the drawer opens. Label the front of each drawer with a strip of masking tape and a permanent marker: "Farm animals", "Woodland", "Birds", "Fragile — repair".
The real advantage of labelled drawers is rotation. Swap the contents of your shadow boxes and stands every few months, and the collection feels new without you spending a penny. It also means the most valuable or fragile pieces can rest in the dark, away from direct sunlight, which fades glaze over years.
Ceramic animals are more resilient than they look, but they have three enemies: dust, ultraviolet light and elbows. A few small habits keep them safe.
The best displays have a bit of personality. Group animals by colour, by material, or by the story they tell — a row of dogs on one shelf, a woodland scene in a box, sea creatures on a bathroom windowsill. Leave gaps. Empty space is what makes a collection look curated rather than crammed.
And remember that a display is for you first. If a piece makes you smile when you walk past, it has earned its place on the shelf. The rest can wait in their labelled drawers, safe and sound, until it is their turn in the light.
Hi, my name is Anthony kuber. I am artist and fashion designer.
I love to travel and writing blogging.
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